DODECAPHONIC ESSAY CLARINET CHOIR

Full of chromatic runs, comical interruptions of the melody by the higher voices, and the passing of notes individually from one player to the next, Clownery for Clarinets was an amusing piece. Orange County Clarinet Consort. Currently you have JavaScript disabled. The notable balance exercised by the ensemble again was apparent, with all parts beautifully supporting the forlorn melody as it flowed through the ensemble. In order to post comments, please make sure JavaScript and Cookies are enabled, and reload the page. The dance-like movement was undeniably reminiscent of a sea shanty. Next, the ensemble performed Clownery for Clarinets by Harry Stalpers

The piece began with stereotypical circus music that might accompany a clown show at a circus, suddenly transitioned to a slow, sultry jazz theme, featured the first clarinet in a cadenza-like solo, then moved to a dance-like theme before finally returning to the original circus theme. The dance-like movement was undeniably reminiscent of a sea shanty. The piece began with a light and bouncy theme, passing a staccato, ornamented motif across the ensemble, then transitioned to a lyrical melodic line featuring large leaps. It consisted of many unique themes and melodies, with sudden changes of style occurring often. Orange County Clarinet Consort. The piece began to come to a close as the entire ensemble played fortissimo ascending and descending chromatic runs, then ended unexpectedly with a soft staccato note by the contrabass clarinet, eliciting laughter from the audience. This piece featured sudden style changes and the note-by-note building of highly-dissonant fortissimo chords.

  ESSAY ON ROBERTA BONDAR

Next, the ensemble performed Clownery for Essah by Harry Stalpers The notable balance exercised by the ensemble again was apparent, with all parts beautifully supporting the forlorn melody as it flowed through the ensemble.

The group played high altissimo chords at incredibly soft dynamics with impressive intonation. The piece began with a light and bouncy theme, passing a staccato, ornamented motif across the ensemble, then transitioned to a lyrical melodic line featuring large leaps.

dodecaphonic essay clarinet choir

Click here for instructions on how to enable JavaScript in your browser. The piece began like dodecaphojic fugue, each part from the contrabass up through the E-flat entering with the lilting melody until all members of the ensemble were playing. In order to post comments, please make sure JavaScript and Cookies are enabled, and reload the page.

Del Borgo: Dodecaphonic Essay

Brian Viliunas joined the ensemble to conduct a few pieces. Currently you have JavaScript disabled. The especially warm tone of the E-flat clarinet, which was displayed in the next piece on the program, Dodecaphonic Essayby Elliot del Borgoblended beautifully with the ensemble. Orange County Clarinet Consort. The ensemble displayed exquisite balance, sensitivity, and a lush, warm sound.

The piece returned to the original idea before arriving at a quick and essa finish. This clarinet choir consisted of eight members: The piece began to come to a close as the entire ensemble played fortissimo ascending and descending chromatic runs, then ended unexpectedly with a soft staccato note by the contrabass clarinet, eliciting laughter from the audience. Full of chromatic runs, comical doeecaphonic of the melody by the higher voices, and the passing of notes individually from one player to the next, Clownery for Clarinets was an amusing piece.

  BLACKPOOL TOURISM CASE STUDY BBC BITESIZE

Dodecaphonic Essay

It consisted of many unique themes and melodies, with sudden changes of style occurring often. Your email address will dodecaphhonic be published. Leave a Reply Cancel reply Your email address will not be published.

dodecaphonic essay clarinet choir

The dance-like movement was undeniably reminiscent of a sea shanty. This piece featured sudden dodecaphonjc changes and the note-by-note building of highly-dissonant fortissimo chords.

The piece began with stereotypical circus music that might accompany a clown show at a circus, suddenly transitioned to a slow, sultry jazz theme, featured the first clarinet in a cadenza-like solo, then moved to a dance-like theme before finally returning to the original circus theme.